In a Baz Luhrmann typical story, the opening always commences with a happy-go-merry atmosphere. Couples in love, people around infatuated enough to give support, and life seems as though things were destined to be -needless to say – ‘happier and merrier’ each day. Then things start to not work out well. And it ends with either tragedy, or devastation.
Okay, Baz Luhrmann is an overstatement, or even an imprecise comparison, but looking at this award-winning short film by Pierre Ducos and Francois Bey, which has been well-prepared for over 4 years, and released on the centenary commemoration of World War I, this is surely going beyond the way of that Australian filmmaker, and of course, with more intensity.
It all starts with ‘imagine’. When the world is on its nadir, and desperation looms elsewhere, particularly amid a battlefield, a soldier, whoever he or she is, will eventually find his or her own inner child again. Imagine, a world where humans don’t need to fight a bloody, merciless war. Imagine, a world where only plastic toys go to war, and humans look at the amusement of this scene. Imagine, a world where plastic toys fight not with sharp objects, but with candies and lollipops. It all comes with ‘imagine’, and when reality penetrates like a shockwave, it’s ready to haunt you for a lifetime.
It’s both entertaining (well, plastic toy animation shooting lollipops and candies, isn’t that funny?), but also scary in the end (spoiler alert: some ‘graphic’ sceneries, intense music, and violence).