This is how Kafka interprets the world: a man wakes up to find himself transformed into a huge bug (literally) with no obvious cause. An ordinary employee was, against his own destiny, detained by unknown agents, and put into trial for unclear reasons. A lonely old man is disrupted by two rolling balls with origins totally unknown. And these all resonate pretty well with the oftentimes disturbing, and incomprehensibly enigmatic, reality of our universe.
The Atlantic provides an in-depth analysis of Kafka’s literary realm. Read the full article here.
Kafka created “obscure lucidity,” Erich Heller wrote in his book on Kafka. “His is an art more poignantly and disturbingly obscure,” he added, “than literature has ever known.” One thinks one grasps Kafka’s meaning, but does one, really? All seems so clear, yet is it, truly? A famous aphorism of Kafka’s reads: “Hiding places there are innumerable, escape is only one, but possibilities of escape, again, are as many as hiding places.” Another runs: “A cage went in search of a bird.”
As with Kafka’s aphorisms, so with his brief parables. The parables, Walter Benjamin wrote, are “never exhausted by what is explainable; on the contrary, he took all conceivable precautions against the interpretation of his writings.” Whatever these precautions may have been, they were inadequate, for the works of Franz Kafka—apart perhaps only from the Bible and the works of Shakespeare—may be the most relentlessly interpreted, if not overinterpreted, in the modern world.