‘Hollywood is dead.’


soderbergh

NB: the interview was actually outdated (conducted in January 2013). But never mind the date, as it gave deeper insight about what’s in a filmmaker’s mind when it came to describing Hollywood, as it isn’t as easy as it is.

Excerpt from Vulture:

Steven Soderbergh (pictured above) has directed 26 films since his 1989 debut, sex, lies, and videotape — the behind-closed-doors portrait of yuppie Louisiana often credited with kick-starting the indie-film revolution of the nineties, released when he was only 26. In the 24 years since, he’s been a remarkably prolific chameleon, managing arguably more than any other director of his generation to successfully bounce between the low- and high-budget, not only directing but often editing and shooting his own films, each, in its way, an audacious experiment. In one extraordinary three-year streak — 1998 to 2001 — he directed two noirish classics (Out of Sight, The Limey), pulled an Oscar performance out of Julia Roberts (Erin Brockovich), earned an Oscar of his own (Traffic, the same year he was also nominated for Brockovich), and launched a lucrative franchise (Ocean’s Eleven, followed by Twelve and Thirteen). Then in 2011, the seemingly abrupt ­announcement: He wanted to be done making movies by the time he was 50, to focus on painting, among many other things.

Read the full interview here.

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